| In
Context #6
(Fall, 2001, pp. 3-4); copyright 2001 by The
Nature Institute
If you are pursuing a qualitative science, sooner or later someone is
bound to ask, "Can you define 'quality' for me?" It can be a little embarrassing,
since no satisfactory answer is close at hand. True, part of the problem
lies, as we will see, in the contradictory nature of the request itself.
But there's much more to be said. If you are like me, you may suspect
that our difficulty in saying what a quality is reflects a striking cognitive
deficit in ourselves.
Recognizing the deficit may be the most difficult thing. Personally,
I always assumed (without much reflection) that qualities were obvious,
even if science, beginning with Galileo, had explicitly decided to leave
them out of consideration. But things left out of consideration tend eventually
to be lost from view, and this seems to be what has happened with qualities.
If we fail to attend to something long enough, we forfeit the ability
even to experience it. My own fear is that humanity today risks losing
the qualitative world altogether, as it disappears behind a veil of abstractions.
"But," you may ask, "where is the problem? Surely we have no difficulty
recognizing qualities such as green, coolness, the fragrance of a rose,
the peculiar roughness of a surface, the taste of salt, the timbre of
a musical instrument!" True enough. Yet bare recognition, it turns out,
does not carry us very far. Yes, I recognize that a green leaf is green,
but what does my recognition consist of beyond the assertion, "This is
the same as that"this color is identical to that other one I've
already experienced? Have I grasped the content of the sameness?
What is it, exactly, that I am calling "the same" both here and there?
We can all too easily classify without having much of a sense for the
expressed qualities we are classifying. We just say repeatedly, "the same,"
and are done with it, which amounts to little more than counting. Counting,
of course, is what science embraced when it ruled qualities out of consideration.
One indication of the extremity of our loss is the not-uncommon conviction
within the cognitive sciences that qualities simply don't exist in any
fundamental sense. We may speak of them as given realities, but
they are actually a kind of mirage, purely subjective in nature, thrown
up by the computational apparatus of our brains. As cognitive scientist
Paul Churchland puts it, our senses betray us by not revealing things
as they really are, and the qualitative presentation of the senses is
therefore a kind of deception:
The red surface of an apple does not look like a matrix
of molecules reflecting photons at certain critical wavelengths, but that
is what it is. The sound of a flute does not sound like a sinusoidal
compression wave train in the atmosphere, but that is what it is. The
warmth of the summer air does not feel like the mean kinetic energy
of millions of tiny molecules, but that is what it is. (Matter and
Consciousness, MIT Press, 1988, p. 15)
While this statement appears to me hopelessly confused, it is not my
intention to address the confusion here. More important, as a starting
point, is to realize how natural such a view becomes once we have lost
any vivid experience of qualitative content. Take away qualities and we
are left with the kind of abstraction that presents us with molecules,
wavelengths, and kinetic energies, as if these were the sole valid content
of experience.
Our abstracting capabilities are crucial to our efforts at understanding,
but when the sophisticated pursuit of abstraction becomes one-sided, we
lose the world. Abstractions, and especially mathematical abstractions,
give us clearly outlined, narrowly defined, precise concepts serving our
need for accuracy and clarity. But the more we move in this direction
alone, the more we lose significant content, which is always qualitative.
We become more and more precise about less and less, until finally we
become perfectly precise about nothing much at all. We begin with stars
and planets and landscapes, and we end with featureless particles moving
in the void. We begin with a living, breathing, behaving organism, and
we end with millions of genetic "code" fragments that are, in and of themselves,
meaningless.
So perhaps we can, to begin with, think of qualities as the content
without which our precise formulations are not about anythingcertainly
not about anything significant or meaningful.
Logic and Image
But concern with qualities is not a luxury reserved for poets straining
after meaning. Science itself cannot do without qualities. Look at a tree
and subtract all the qualities from what you see, and there is no longer
anythinganything at allthere. Nothing remains from which to
abstract our desired quantities, nor is anything left for such quantities
to refer to. So we can't even count without qualities. Qualities are what
give us the possibility for an empirical, sense-based science. Without
them we lose the world of experience we initially set out to understand.
The fact that science relies so profoundly on qualities while refusing
a disciplined reckoning with them can only be seen as a grave vulnerability.
Qualities are problematic for science because their existence in the
world and their existence in us seem to be one and the same existence.
This flies in the face of the radical diremption of matter from consciousness
upon which science was founded. Yet the same problem applies even to conventional
scientific knowledge. Does the law of gravity reside within human consciousness,
or in the world? Some favor one answer and some the other. But the more
profound answer may be: "Both"because human consciousness is at
the same time the interior of the world. This conclusion, which once would
have been taken for granted, is, of course, terribly perplexing for us
today. But it may be exactly the perplexity we need to wrestle with.
This, in any case, is the sort of conundrum raised by qualities. More
directly, and out of our own experience, perhaps we can say: a quality
is always the expressive shape of some inner gesture, a gesture of consciousness.
To ask about a quality is to ask about an expression; it is to ask what
something is saying. We are in the realm of the word, in its broadest
sense. Presumably, we can enter the world of qualities in a disciplined
way only through concentrated and trained attention to these inner, word-like
gestures, something the culture at large does not encourage.
Image and Definition
The fact that qualities express, and that we find ourselves speaking
of the shape of an inner gesture, suggests that qualities
also have an imaginal character. Owen Barfield contrasts images with the
discrete, sharp-edged concepts of logic this way:
It is characteristic of images that they interpenetrate one
another .... That is just what the terms of logic, and the notions we
employ in logical or would-be logical thinking, must not do. There,
interpenetration becomes the slovenly confusion of one determinate meaning
with another determinate meaning, and there, its proper name is not interpenetration,
but equivocation....
To take just one element of images: colors, considered qualitatively,
can blend together and modify each other in a way that defies the either-or
imperatives of logic. Add a little yellow to some red. Does the result
still have the quality of red? Well then, does it not have the
quality of red? We can, of course, start thinking of numerical wavelengths,
which work quite well in the formulations of mathematical logic; but color
as particular, qualitative content is no longer present in the numbers.
One other thing. A definition, as Barfield points outso far as
it is not given by metaphor or exampleis the attempt to grasp a
thing in the most clearly delineated, abstract, logical terms we can manage.
So the definitional stands at the opposite pole from the qualitativewhich
is why there's something contradictory about asking for a definition of
"quality." Unlike perfectly definable terms, qualities cannot be precisely
conveyed to a passive recipient, but can only be suggested. If a quality
is the shape of an inner gesture of consciousness, it stands to reason
that it cannot be received passively; the recipient must participate in
the gesture in order to experience "what it is like" or "what it is saying."
These are just a few brief reflections intended to highlight the problem
of quality. Take them more as fodder for rumination than as clear, definitive
statements. Better yet, consider your own experience and write us with
your own additions and amendments to these preliminary thoughts. "The
trouble with qualities" may become an ongoing theme for In Context.
Original source: In Context (Fall, 2001, pp. 3-4); copyright 2001
by The Nature Institute
Steve Talbott :: The Trouble with Qualities
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